food and theory
May. 12th, 2012 01:03 amI have run out of vegetables. It's annoying. I couldn't figure out how I could run out. My Tesco food arrived this week. But then I checked, and Tesco won't sell me the steam bags of vegetables any more, they have vanished. So I have run out. And I'd already cooked the things that go with vegetables when I realised. So that was a very boring meal I just had half of.
In better news, I have finished reading the Reader for The Short Story.
... which I should have done weeks ago, but it's so boring.
It spends most of its time talking about how The Short Story does not mean just stories that are short, oh no, nor does it mean tales, or sketches, or stories by them other dudes over there who are clearly doing it wrong. The Short Story is a genre. ... now if any two of the writers could agree which writers were in or out, I might have a better idea which genre.
Some of them count Poe, some of them only count him as a theorist and think his stories are popular. Yes, it's the kind of theory writer who uses popular as a rude word. Everyone counts Chekhov, which is nice. ... I can never spell that dude right, the usual way I write it is the other guy.
But then people go on to talk about people who copy Chekhov, which according to someone is everyone ever, only they're all Doing It Wrong.
You know what I think about the short story?
It is a story which is short.
The teacher and these theory people are making up rubbish about The Short Story when they might mean modernist short stories, impressionist short stories, or even on occasion magical realist short stories. But the genre splits into many genres whenever different people talk about it, so it is not a bloody genre.
It is especially not lyric poetry, and the book that spent many many pages explaining which poems were novels and which were secretly Short Stories was in fact off its nut.
Also, the science fiction short stories I was bringing in, or the ghost stories others brought in, or any number of other stories we all were encouraged to bring in, would not be short stories by the theory dudes definitions, and yet we studied them.
:-pppppppppppppppppppppppppppppppppppppp ppp
I will write 500 words just as soon as I get a quote from Frank O'Connor rather than a sentence of a powerpoint slide that mentions Frank O'Connor thinks short stories are about isolation.
Then I will forget about this stupid theory stuff and keep on writing stories that are short.
In better news, I have finished reading the Reader for The Short Story.
... which I should have done weeks ago, but it's so boring.
It spends most of its time talking about how The Short Story does not mean just stories that are short, oh no, nor does it mean tales, or sketches, or stories by them other dudes over there who are clearly doing it wrong. The Short Story is a genre. ... now if any two of the writers could agree which writers were in or out, I might have a better idea which genre.
Some of them count Poe, some of them only count him as a theorist and think his stories are popular. Yes, it's the kind of theory writer who uses popular as a rude word. Everyone counts Chekhov, which is nice. ... I can never spell that dude right, the usual way I write it is the other guy.
But then people go on to talk about people who copy Chekhov, which according to someone is everyone ever, only they're all Doing It Wrong.
You know what I think about the short story?
It is a story which is short.
The teacher and these theory people are making up rubbish about The Short Story when they might mean modernist short stories, impressionist short stories, or even on occasion magical realist short stories. But the genre splits into many genres whenever different people talk about it, so it is not a bloody genre.
It is especially not lyric poetry, and the book that spent many many pages explaining which poems were novels and which were secretly Short Stories was in fact off its nut.
Also, the science fiction short stories I was bringing in, or the ghost stories others brought in, or any number of other stories we all were encouraged to bring in, would not be short stories by the theory dudes definitions, and yet we studied them.
:-pppppppppppppppppppppppppppppppppppppp
I will write 500 words just as soon as I get a quote from Frank O'Connor rather than a sentence of a powerpoint slide that mentions Frank O'Connor thinks short stories are about isolation.
Then I will forget about this stupid theory stuff and keep on writing stories that are short.