I build a character by choosing their weapon. It don't have to be a sword, or even a tool of violence, but whatever it is, it will be very specific. Each weapon has a specific use, a culture and community who used it, a history, a heritage. Their use was learned somewhere, and perfected over time as that particular tool seemed suited for that character's tasks.
Highlander was big on flashbacks. ( Read more... )
So I learned from Highlander that every character has history. Which seems pretty obvious. But a lot of shows, just by only telling the present, they make it seem like a character's life started in the pilot episode, or at least the interesting bit. ( Read more... )
A character's journey, historic and geographic, will influence which ideas they carry as well as the tools they use. And it can be very, very specific. ( Read more... )
And that kind of depth and detail is an absolute bugger to build into a created 'verse, fantasy or SF. It's hard enough to show what a world is like now, but it'll feel like a paper backdrop until it can give the impression it had a journey to get that way.
It's tempting to leave an individual in a holding pattern before the story gets started. ( Read more... )
I sat down to write this just to say that I think the space colony series I've been planning could benefit from flashbacks. ( Read more... )
Buuuuuut, presence of extensive flashbacks does not automatically endear a show to me. And even shows I like can have (interminable) flashbacks I could do without. I think the tricky bit is to keep it both relevant and fresh, despite it being the past. If the same thing happens in every flashback, bored now. And it's nice to see what made a character the person they are today, but it's tricky to get the right speed of revelation and to keep it tied to the plot of the week.
I'm also thinking about arc vs self contained stories. If one timeframe is arc and the other is self contained, does that compliment or drag at each other? ( Read more... )
The thing with my space colony though, I was going to use fanfic characters to give it depth of background, only to adapt them to this setting which is kind of a fusion or AU then I'd need to retell the most significant bits of their lives. New old friends, yes? Even if I used familiar names we'd need to get to know them twice, who they were in the fusion backstory and who they are in the ongoing plot. ( Read more... )
I keep telling myself that I haven't started writing this thing because if I just let it stew a bit longer it might be possible to file serial numbers off and make it proper original. Actually at the moment I have two slightly different offworld colony stories that just don't mesh, one with capertillers and Welsh stone circles and a very British cast, the other with a straight up Stargate setting. The Stargate one is always going to be fanfic, but right now it's merely a mess of a multi fandom fusion that I can't imagine anyone would read, and with a bit of polish it might be spin off series level original. The two series don't quite mesh, but they do both deal with disability and some magic cures. And I know that nobody hesitates to write different Being Masculine On a Starship stories, but I'm hesitating over different Being Disabled in a Space Colony stories, even though the differences are not things I could smush together. One is a low character point low resources ordinary people story, the other a high power vast resources big politics tale that draws on comic book characters and Star Trek level competence. They don't match, they don't go the same places, I kind of want to tell both, I stall on telling either.
I stall on putting one word next to another, and whenever I notice that, instead of opening a file and trying it, I just talk myself into a woe spiral about how maybe I'm not a writer after all. Blergh.
Or, as you may notice, pontificate at length in meta.
i'm going to post this and get breakfast. it's only 1530, i've been up since 0730, that's a totally reasonable interval before breakfast...