Baudrillard and Ripley
Apr. 28th, 2010 04:08 pmAm in class doing research. Yes, really. 'Ask the internet' is research too.
We're studying Baudrillard. We have one paragraph from p406 of Simulacra and Simulations and we're now to spend an hour discussing how it applies to (a) The Talented Mr Ripley and (b) adaptation (films made of books etc).
*blinks*
we can also go look for more learnings. I take that option pls.
Also today we got into discussing fanfic (because, adaptation, works based on other works) and teach got to a point she said 'I'm going to stop talking about this because I don't know enough'. So I gave her a book list and a link to OTW cause I had those names to hand. Any suggestions?
Teach says there's a text on the Stanford website. I go read.
Ripley keeps changing who he is because who he is isn't a solid real thing hiding in the middle, it's just what he does. Is fun.
... well, the murder part isn't. But other than that.
We're studying Baudrillard. We have one paragraph from p406 of Simulacra and Simulations and we're now to spend an hour discussing how it applies to (a) The Talented Mr Ripley and (b) adaptation (films made of books etc).
*blinks*
we can also go look for more learnings. I take that option pls.
Also today we got into discussing fanfic (because, adaptation, works based on other works) and teach got to a point she said 'I'm going to stop talking about this because I don't know enough'. So I gave her a book list and a link to OTW cause I had those names to hand. Any suggestions?
'Disneyland is there to conceal the fact that it is the "real country" all of "real" America, which is Disneyland (just as prisons are there to conceal the fact that it is the social in its entirety, in its banal omnipresence, which is carceral). Disneyland is presented as imaginary in order to make us believe that the rest is real, when in fact all of Los Angeles and the America surrounding it are no longer real, but of the order of the hyperreal and of simulation. It is no longer a question of a false representation of reality (ideology), but of concealing the fact that the real is no longer real, and thus of saving the reality principle.'[Baudrillard, simulacra and Simulations, 1980 in Lodge, p406]
Teach says there's a text on the Stanford website. I go read.
Ripley keeps changing who he is because who he is isn't a solid real thing hiding in the middle, it's just what he does. Is fun.
... well, the murder part isn't. But other than that.