beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
93 Rictus

I wasn't entirely paying attention to this one because I started it, concluded the main characters were several kinds of awful and annoying, and went back to pulling numbers out of Pathfinder books to figure out the economic basis of studying wizardry given the local cost of living.

But it did keep bringing my attention back, and I absolutely did not see the ending coming.

Torchwood: implying terrible things about royalty since the very beginning.

I think it's probably a good story but I was having a not concentrating day because I listened to this second one first:


94 The Boy Who Never Laughed
Written by Joseph Lidster

This one is a very strong story.

Big Finish put trigger warnings at the beginning of it. Which is polite and helpful. But would be more helpful in writing before people buy it.

"Torchwood contains adult content and may not be suitable for younger listeners" is the usual bit.

"Trigger warning: this audio production contains references to substance addiction, sexual abuse, and drink spiking. Listener discretion is advised."

It is also a story with basically one character in it, so you know who all those trigger warnings apply to.

Tyler Steele Read more... )

Also depressing. I listened to the trigger warnings, I thought I was in a reasonable mental space to listen to a Torchwood story, but I went around afterwards with a set of feelings that reminded me of the time I picked up a plastic beer mug with dregs in people had been using for an ash tray and it turned out to have melted through and beer ash spewed out everywhere. It's sort of grotty. And there isn't much of a distancing or defamiliarising filter on it, it is just a story about ordinary bad things happening to Tyler when he was a kid.

And, also, about Tyler waking up to find apparently himself in the shower. But that got less weird and less the point as the story went along. So then it was just Tyler talking to himself about trigger warning things.

Very well done, but difficult.



The dtrength of the Torchwood range is you never know quite what you're going to get and it can play with format as it will as long as it fits on the disc. I think they used that well here.


I also think I need to go do something more sunshiney to bounce my mood away.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
Today my only achievement has been noticing I wasn't having much fun playing Wrath of the Righteous and stopping.
I started Inevitable Excess on Core difficulty with Angelica the gold dragon from my last play through. Core is a smidge higher difficulty than I was playing her at. It is entirely unforgiving of error. On the other hand, I have a giant stash of diamonds and Daeran Arendae, so my errors last as long as it takes to cast Resurrection. Which probably isn't much fun for the characters but thus far works.

I think I want a new story. But I want a new Pathfinder story, and they haven't made that for the computer yet.
... still sad about Kingmaker being so shonky, it was so good as a story and so utterly crashing unplayable as a console game.

Other than that I have been rereading Torchwood fanfic, ones from my bookmarks so I know I like them already. So far it has been a collection of time travel fixit fics, almost all from the set of fics that clearly and explicitly approve of polyamory. When I was reading through the Jack/Ianto fics I found a lot that thought Jack needed fixing so he'd be monogamous, and a few absolute nightmares that think Ianto being his One True Love is a great ending. Those ones are fans of different characters with the same name, and have a wildly different idea of how things work to me. Five billion years of story to fill in, I think they'd have more fun with more dances.

So far the fic I've been reading was from before Big Finish got their hands on them.
There is a lot a lot a lot going on in Big Finish that sort of decides how to interpret characters and then fills in... something ever approaching all the days we didn't see.
Makes stories that are simply TV canon compliant feel like half a conversation even though that's what we usually mean by canon.

Read more... )

Ah well, this is quite long for not many thoughts, I'll go do something else.
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This one didn't work for me, even though it is a Ianto story. The title seems entirely wasted and the setup has potential but didn't draw me in. Read more... )
I don't know, it seems like the recipe of the story was decent but it somehow didn't cook.

Or, potentially, I am in a bad mood.
*shrugs*
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It's Christmas themed but blurs into New Year a bit so I timed listening to it just right.
Ace and Mr Colchester tell each other ghost stories by firelight.
By Joseph Lidster, and you can tell.
Read more... )
I don't want to say much about the plot(s) because this is an excellent piece, tense and personal.
It fits well with what we know of them already but isn't predictable. It expands on Torchwood, the Institute, and what they have been like. And then it ends on an excellent note.

I give it 5/5 stars.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
Toshiko Sato in what the chatty bits after describe as a Torchwood escape room.
Since this is Torchwood the fundamental question is if anyone escapes the room.
It starts out with three MPs and Tosh doing a simulation of an emergency, and then escalates, first the obvious way, then something more complicated. It keeps the tension up throughout, with repeated time pressure deadlines. But the consequences and resolution depend on a 'how' that remains non obvious. If their inputs and outputs all went through the simulation, the ending... remains non obvious to me.

Character stuff good, sci fi stuff... not.

Ah well.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
Bought these because James Marsters playing Captain John Hart.
Had no particular expectations because what is Dark Gallifrey? Whatever Big Finish pleases, I guess.
Listened to the first part and was unsure I understood more at the end than the beginning.
Listened to the second and it was Read more... )

So the third part was the trap chewing up Captain John and the Master. Quite a lot of the middle was genre 'terrible things happening to terrible people'. But the ending was just wild. Read more... )

So okay, that was very much in character, but I did not see where that story was going at all.

And the story leaves room for the changes to be permanent or to wear off or to be paradoxical, so will Big Finish use this later? I mean, why not, it's their universe.

So: I listened these for more Captain Hart content. And it did have that.

But I am still not quite clear on what the story was doing for quite large chunks of it, so you have to have a pretty high tolerance for weird for this set.

Also for reading this... it's not even a review, I was trying to write down the cool bits to see if they added up, and I think they do. But. It is both very spoilers under those cuts and not making entire sense, sorry.

I think that was fun to listen to but I might have to have another go later.

Torchwood

Dec. 3rd, 2024 08:00 pm
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
I saw on tumblr someone talking about Owen Harper and how he is a good doctor (yes) and his bedside manner is surprisingly effective (yes) and tuned to specific patients (yep)
and that is a sign he is, deep down, a Good Person.
... no?
I mean, the entire framework of thought that comes up with that conclusion is, from here, big nope.

There are no good people or bad people, only people.
People are free willed and can choose to do anything any time ever.
You cannot see signs of which ones are safe, because they never can be, while free willed.

And Owen Harper specifically? Owen? Who was introduced with the spray of no consent? Who straight up murdered his boss?

Yes his boss is the only guy in his world who can come back and forgive him for that, but, like,
in order to get to 'secretly a Good Person'
how the fuck much do you have to ignore?

Owen is, like all of Torchwood, *messy*.
They have all done some Things in their time.
And yet they dedicate their lives to saving other people.

That's what makes Torchwood compelling, it doesn't collapse down to Good People and Bad People, just... people. Who we care about, empathise with, can see where they're coming from and what pain is driving them... and really need to notice that the shit they do is still in fact shit.

I mean the tumblr post included bits from the audios, and in the audios Owen accidentally kills a little old lady and then uses Torchwood to cover it up. Which he can do. Because the only thing stopping any Torchwood agent from using their Torchwood powers like disappearing corpses and rewriting the evidence and straight up mindwiping people is other Torchwood agents. And they were probably all asleep.

I'm not going to start discourse on tumblr because the format is ill suited to it and I'm not going to go on someone's post about their favourite character to harsh their squee but like...

I believe if you watch Torchwood and believe that the protagonists are the Good Guys?
You are watching an entirely different show than the one I saw.

Torchwood do a lot of bad things on both an official and personal basis,
and that's what makes the story fascinating.

All of that power and they're so bloody human.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
I get what they were trying to do with this one. Outsider point of view, someone who has probably been retconned, but they're still living with the trauma. Torchwood swept through their lives and this is what is left.
It's a solid premise for a story.
But it just leaves the story with the confusion and the powerless bits. A whole audio about being done to and feeling awful about it. Made me feel sad and squirmy.

I'm glad the Torchwood audios have room to do stuff like this though. Sometimes you get three months of Ianto, sometimes you get something more like Random Shoes, with the odd under informed bits.

Still. Sad.
Probably won't be relistening much.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
Rhys gets himself into a cave system, and a Torchwood adventure.

This was a really good, really effective story.
How effective? I am an absolute muppet for listening to it right before scheduled bedtime because
yikes I'm not shaking that off in ten minutes.

I think I shall go make some soup and... I don't know, run on the spot or something.
That was proper *creepy*.

A+ can recommend, obviously, but like, give yourself more time to come back from it, because I am not turning out the lights for Some Time.

I am also not giving spoilers beyond 'wow proper scary' because it is very good at wow proper scary.

Unfridging

Sep. 21st, 2024 11:08 am
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
I have for a while been thinking about Pathfinder and how the easyish presence of ressurection can make any imported character's life super complicated.
And I keep starting with Torchwood.

The thing with Torchwood is
the writers looked at the characters and went
"you know what this one needs? more pain!"

So like, some shows, you've got that one fridged woman in the backstory, so one man can have angsty manpain, and only mention her when mentioning she's dead. Right?

But on Torchwood:
Read more... )

The thing is you get people saying that bringing back the dead is sort of cheap and loses all the stakes. But there are so many *different* stories right here in a list of people who they once couldn't save but now get a chance to, only they've moved on different amounts since then and don't quite know each other. I mean Owen has arguably done Some Murder, and even Toshiko doesn't know all of it. Ianto has done... so many things that people he'd bring back wouldn't imagine. So many different stakes in there, that aren't just The End.

Not to mention that Torchwood and Pathfinder have different ideas about The End, and making them fit together does not come up pretty.

So I want to get the characters out of their box and make the story continue.




Obviously the point of stories about grief and loss is you never ever ever again get to do that
but I feel after fifteen years we have that story told.

New ones time.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
I had a dream where I was at a convention and I lost my name badge and they made me a new name badge that said 'writer of the episode School' and that was how I found out I got a Doctor Who script accepted.

Which is a much better convention queue dream than usual, even if the next bit was having to go do Gladiators to actually get in.

But when I woke up I thiught what School could be about, and I reckon I had a pretty good plot bunny, specifically for knows they're adopted Doctor. Read more... )

I think that is a pretty good plot bunny, as bunnies go. It is not an outline yet and has a few places that need a bunch of work, but as a bunny, pretty good.

And bunnies are free to a good home, because it is not like any two of us would write the same story anyway.




I did not exactly have a wrap up to that idea though, triumphant ending where, like The Teacher is revealed or something. It's just a bunch of character in a light sci fi wrapper.



Then I got distracted by wanting this older disabled companion to meet silver hair Jack who is having to deal with ageing? But like, by running around in the background of his younger self's life, because it isn't like the him living linear can have aged that much yet. So we get some old footage of classic Jack laughing or something ordinary, mix it with a lot of stunt men being Jack, and then have now silver Jack doing the talking, but it turns into a Doctor lite episode because the Doctor and young Jack can Run, but the disabled companion and silver Jack have slightly different problems with keeping up, possibly involving the bloody stairs. Jack likes to be tall but getting up there is going to get more challenging. And once he is old he is going to be old a very, very, long time. So he is not going to want to admit to the ageing thing, but time travel as a device can give him a side by side comparison. And a disabled person ageing at the usual pace can gently challenge him on the whole 'it'll get better, it always does' attitude. And ask if hels seen a doctor this century. Which could get a very sad wistful face actually, should use that exact phrasing.

I have no idea what the plot is doing, I just want to have this chat with silver Jack.

Because in the books he expressed a terror of ageing and becoming dependent, and that is a Conversation, that can include pointing out that when he found someone like that he helped them, and he isn't the only one. I get by with a little help from my friends, reprise.

Reframe Jack from action hero to *very reluctant* mentor leader organiser. ... he would absolutely hate having others be the ones charging into danger, but if he can no longer get there in time...

Useful story, just needs, like, an entire plot and a place to live in the verse.

Or young!Jack needs sent away conveniently, and sliver edition is only now getting back to Earth.

Something though. Where the story isn't only the spectacle of not dying. Jack can have layers.




Two bunnies, no waiting.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
I keep going back to Wrath of the Righteous and imagining throwing new different characters at it or making more plot around the edges of what the Knight Commander was doing. Fanfic stuff, obvs. But I dont think there's really an audience for my multiverse xover mixing the computer game with the paper one and beyond. So I just circle it a lot and worry at it like a problem set.

... wants to redeem more characters. The story keeps dangling them in front of me and then going oops nope can't help this one. So I'm like watch me. But by introducing them to people and situations from other stories and genres.

Like, Adam, from Torchwood, applied to Camellia, from Wrath of the Righteous. Big spoilers for game and for Torchwood episodes from... lots of years ago... Read more... )


I just have that feeling where it seems like you could rotate these characters just right to click
and get a new and possibly better for them or probably just very dramatic story out of it.



And that's without even getting into the fact that almost the first thing you learn is Resurrection is possible in this game. Terendelev's scales. Then scrolls at the Defender's Heart. The computer game doesnt have True Res but in theory all he needs is a name, or optimally a name, date time place of birth, and same of death. Ianto has that in his mental files for we don't know how much of Torchwood. ... plus about 823 had the same date and place of death, which is a bit easy to memorise...

Huh, just checked via wiki and wayback, and the website said 823 total staff of whom 27 survived. I had it memorised as 823 down out of 850. oop.

ANYway:

Ianto Jones, Torchwood survivor, dropped on a planet where True Res is a thing, is going to start trying to save enough gold to start saving people.

Which makes him a very different guy from the canon Knight Commander, who only has the context and friends the game gives him.

Plus while one can imagine Ianto being very on side with closing the Worldwound, Torchwood does have form with wanting to exploit rifts, and the Trickster path has ever so many temptations on that front, so you'd want to bring back friends who would be on several sides of an argument.

Also, imagine Owen being the one to pick up the wand that triggers the Undead mythic path. Tangly. He'd understand exactly what he was risking, or he'd think he did, but if he tried taking it he'd find himself in way too deep. You could fit an entire story arc into one of the time gaps for the Knight Commander. Would need to tweak the logic a bit though. Or, use the DLC where Nahyndri gets involved, and all paths say the Knight Commander isn't the only one who tried getting on that boat of bones.

Plus greed is a temptation for everyone, but when every gold piece gets you closer to another life saved... Owen has such a list. All of them do. And if they start bring back their guilt list instead of filtering for how they'd cope, ever so many stories arise.

... kind of want to play through with Owen now and get to the what have I done point... but I don't want to play evil...

Anyway! Throw different people at the same story, get different story, obvs. Throw different story at the same people, also get different story. Including an excuse for a continuation of it.



Still turning them around in my head for now though...
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
Fifteen years since Children of Earth and tumblr is posting a bunch about the death anniversary
as is Big Finish
https://www.bigfinish.com/collections/v/torchwood-offers
"Ianto Jones In Memoriam"
"Never Forgotten."

Thing is, the whole tone of that changes when you realise exactly how many hours of Ianto there have been in those fifteen. It is a lot. 28 results and 8 of those box sets.

Never forgotten, sometimes we even hear his voice...

And that's not even counting the BBC audios, which are pretty significant too.

There's more Ianto off screen than on.

So people on the iPlayer version of Torchwood get such the different experience than those of us with subscription Ianto to look forwards to.



Also, did you know the shrine is still there?
Ianto's Shrine is on the maps and I've seen recent photos on tumblr from fans.
Fifteen years and a shrine.


Makes me wonder what the impact of the character would have been if they just kept him around. I mean, given another season or two, would we think of him differently? The audios all have to fit between the markers from the TV, except House of the Dead, which worked around. So Ianto gets preserved at a specific age with a specific set of achievements and foul ups.

Big Finish manage to elaborate and add a few, GDL did Disco and that's added some spin, but, basically, Ianto stays the same now.

Its interesting.



I liked how he was introduced as the receptionist and the one who got the coffee and then he grew. It's a contrast to like Stargate or other US shows I can think of where they start with The Best and they have to be extraordinary before things begin. Ianto was pretty ordinary. Just had these extraordinary things happen to him. Including Jack.

One cannot realistically aspire to be Jack, but it seems sort of achievable to be Ianto.

... including the ending unfortunately.



Recently Ianto in my head has gone all elaborate crossover because I played through Wrath of the Righteous with him as the main character, but that takes him a very long way away from his roots. Mythic power is so not him. Which is one reason he went Legend and rejected it.

But Pathfinder character levels get so extraordinary anyway, even as a skills based rogue he'd be very remarkable by the time he gets through.

That's either going to pull him far from what we liked about him or be exactly the attractive fantasy.



I still want some version of canon to bring him back though. House of the Dead already did the heavy lifting and brought him back from the dead, so canon can just bring him back from the Rift, which is easy any time. Making him GDL's age would mean filling in a lot of story on the far side of the Rift though. Can bring him back changed, and have the compare contrast with memory and simulation, and make the story about growing unexpected.

Can do lots of story with him.

And Big Finish does.


Torchwood managed some extraordinary memorable characters.

Glad they're still with us.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
Norton and Andy story, stuck in a time bubble that is destroying the world and killing them, but in a silly funny way.
If silly funny Norton and Andy is what you are in the mood for then this gets plenty of stars, but I'm not sure how often I'll be in the mood for it. Read more... )
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
Three stories, three consecutive Mondays, and they wrap around the audio Disco, where Ianto goes to his dad's funeral.

Dinner for Yvonne didn't work for me, it's about a bunch of boring horrible people Yvonne calls friends and the 'comedy' of trying to do a normal dinner while Torchwood stuff happens.

By Royal Appointment is basically Yvonne being badass and evil, but I found I didn't want to hear that.

Nerves is worth the price of the box set right there. Written by Joseph Lidster. Ianto and Tommy having all the feelings and actually talking about them. Trigger warnings for Read more... ) but they sort of work through a lot by the end. Ianto's mixed feelings make so much sense, but then Disco adds an entire other layer to them. It's a lot.
I will listen to this one again, but I'll make sure my mood's okay before I start.


It's another set I'd rate the parts very differently. 2 for the dinner, 3 for the Royal, and a 5/5 for Nerves, I think.
beccaelizabeth: Ianto Jones, Jack Harkness, and Gwen Cooper. From the publicity stills from before Children of Earth. (Torchwood 3)
The third in the Ianthology by Gareth David Lloyd, this one is about Ianto and his dad.

It's a strong story. Part of me wants to reject the plausibility because it's like the nightmare scenario, but, that is part of how it kicks you in the feels. And you spend most of the story not knowing 'Disco's' name and wondering why that's built up to be a big deal, but then when it lands, boom, it definitely hits.
Read more... )

Going to rate this one 5/5, but it isnt exactly uplifting to listen to, so I may not relisten as much.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
Another of the Ianthology by Gareth David Lloyd.
It's a quiet one, focused on ordinary people stuff.

A few new bits about Ianto's childhood but mostly he's being nice and also young. Not confident, not sure how to talk to Jack, realises he's in over his head but not how to start fixing it.
The story covers some of the same ground as Adrift, the impact of the Rift on regular people, but the differences leave it all questions.
The compare contrast is interesting - Adrift couldnt handle the changes, Missing Molly shows people dealing with a lack of change.

Molly being missing twelve years and coming back the same has an odd meta layer.

It feels weird listening to Ianto keep being the same age for over twelve years now. That's pretty highlighted by this one. And it feels not so great when the characters can't move on or grow or anything, but, that's because they're gone.

So, now I'm thinking thoughts and feeling feelings.
I think it's a good story.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
I think I liked this one. The last lines about the stopwatch felt a bit pasted on and I'm not sure they fit, and quite a lot of the story is lets make fun of newbie Ianto hour, before he Saves The Day at the end, but it has a lot of good story. And some bits were hilarious, in an incredibly dark way. And its sad tragic when you stop to think about it. And each character was very definitely a character who made sense. I'm just a little hesitant about the final mix because it never quite gave me what I was expecting next.

I reckon I'll like it better when I listen again.

Quite a good one.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
I listened to this bonus story but I cannot recommend it.
I can recommend that, if you listen to it without reading the spoilers below the cut, you do not listen on your phone. Read more... )
It was read in a good voice and sounded kind of plausible if depressing about people, but, I deleted it as soon as it finished.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
Ace and Mr Colchester.
They're fun because there's a tiny overlap in the venn diagram of their interests that puts them on the same side, but ever so much else where they're not. They respect each other but they've got different jobs with different priorities. So they spend much of this audio sort of politely telling each other they're doing the wrong job the wrong way.
It's all the kind of plausible in the real world corporate ecological problems that could go in a different genre most of the time, but it's also plausibly what Ace and Mr Colchester would be doing these days.
It's almost a surprise when the Whoniverse story turns out to be about aliens after all.
Like you've been busy with the people stuff and forgot what else they do.
I like it a lot.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
This leads on from something mentioned in the previous audio and does give Jack the chance to charge to the rescue about it but in a way that leaves Gwen completely out of her own story so that's boring.

I can't think of much to say about this one.
It sort of happens around Jack and to everyone else, and I cant see much to do with character or theme in there.
It didnt feel much like a Torchwood or Doctor Who story, Read more... )

At best I feel this could be rewritten with the same ingredients to have actual story in it.

But I like it less the more I think about it.

Which is a bit sad for the last one in a box set.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
Another audio I had never heard before. Another by Joseph Lidster.
It's a bit weird because early on Jack says he's finally in hell
only the audio I heard a few days ago, by the same author, very much sent Jack to hell, so, figure Jack applied some retcon to that whole situation, which, you know, fair.
But then later he says he's seen hell so many times, so also possible he's just Like That about it.

Jack tries to get away from it all by going to a planet surrounded by red lightning that no one can get near
and then finds there's a lot of very familiar stuff on that planet just waiting for him.

He gets dragged through his own memories, trying to make him feel guilty, Read more... )


I think this was a good story but I'd rather see it written than hear it, at least with this reader.
I didnt get the hang of the voices first time through and I dont see the logic in the accents second time.

Still, lots of Jack character stuff, canon moments revisited, insight into his emotions and why he is like that.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
Read by Tom Price and featuring Andy Davidson, this one has a solid mission statement, that Torchwood is gone and the regular people are left coping with the fallout.
But it kind of didnt work for me. Like, it was not, in fact, fallout from Torchwood's actions that kicked off the first half of the story, or even specifically the rift. And the second half was... Read more... )
It wasnt very satisfying. I'd keep a lot of the people bits but swap out everything after they left Cardiff I think.

But it wasnt like it was bad either. Just... left me with that niggly rewrite feeling.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
Read by Kai Owen, who is good at doing the voices.
This one I definitely haven't heard before. Dont have it on CD, even though its from 2012, just this apple books on my phone I've been listening.
It's set after Miracle Day but has a flashback to the full team; sometime after Rhys knows what they do for a living but while Owen is alive, which I think narrows it down a lot. Read more... )

I like this one less the more I turn it around in my head, and I wasnt overly impressed as it was happening.

I want to use the parts for something else, I dont think they quite worked here.

I did like the voices though.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
I liked this one. Read by Kai Owen, and also by Rhys Williams, a lot (a lot a lot) of the Torchwood stuff in this is happening around the edges of what Rhys really notices. So huge great alien invasion stuff and entire buildings doing time shifty things are happening, and mostly Rhys notices because it messes with the routes for his lorries.

I liked when the satnav started talking to people, and Rhys hears about it because the drivers say they dont like what it's telling them to do, so you Imagine a lot of stuff, but then later Rhys hears it. Read more... )

So you get these big swings in emotion, and if the story was following anyone other than Rhys it would be a very different story emotionally, but because of his angle it's very grounded and keeps dropping funny in the middle of the end of the world.

It's very well told.

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