I just watched Monsters. The film four intro was most impressed with the low low budget and how he did the FX on his laptop. I was most impressed that the FX were really not the point, they served the story well, and were just one element in a well realised world.
I nearly didn't watch it through. By my usual standards it's a total fail. Woman dies before the credits. Bechdel fail at 'two named women', though to be fair there's only two named characters. The two Americans get names, all the others don't. Plus the intermittent use of subtitles to translate the Spanish frequently puts them at incomprehensible distance. I thought it was odd, but then I realised we're in the point of view of the guy, who has very little Spanish, so it makes sense to have some but not much translated. The woman speaks Spanish, but that's pretty much all we learn about her. We also learn about her fiance and her dad, and that her dad is rich. We never learn why she's in the country or why she isn't saving her own self.
The plot hinged early on them being complete bloody idiots, so again, I nearly turned it off. It should have ended much, much sooner but she gave someone else her passport and he got drunk and robbed. How stupid is she? So she's stupid, has no motivation, is relying on this guy she only just met because her dad sent him, does everything he says even when she thinks he's being stupid (and he usually is), and gives him her passport. I disliked the character very much. It's a total rescue the princess.
Only, slight twists involved. ( Read more... )
So there's feminism fail, big surprise. But there's science fiction win. There's a world sketched in that's grubby and poor and full of scavenged machinery, but not Mad Max, just one notch up on now. There's aliens arriving in a crashed space ship but not Aliens style. And it has something to say about the USA.
I'm not planning to watch it again, but it was pretty interesting the once.
I nearly didn't watch it through. By my usual standards it's a total fail. Woman dies before the credits. Bechdel fail at 'two named women', though to be fair there's only two named characters. The two Americans get names, all the others don't. Plus the intermittent use of subtitles to translate the Spanish frequently puts them at incomprehensible distance. I thought it was odd, but then I realised we're in the point of view of the guy, who has very little Spanish, so it makes sense to have some but not much translated. The woman speaks Spanish, but that's pretty much all we learn about her. We also learn about her fiance and her dad, and that her dad is rich. We never learn why she's in the country or why she isn't saving her own self.
The plot hinged early on them being complete bloody idiots, so again, I nearly turned it off. It should have ended much, much sooner but she gave someone else her passport and he got drunk and robbed. How stupid is she? So she's stupid, has no motivation, is relying on this guy she only just met because her dad sent him, does everything he says even when she thinks he's being stupid (and he usually is), and gives him her passport. I disliked the character very much. It's a total rescue the princess.
Only, slight twists involved. ( Read more... )
So there's feminism fail, big surprise. But there's science fiction win. There's a world sketched in that's grubby and poor and full of scavenged machinery, but not Mad Max, just one notch up on now. There's aliens arriving in a crashed space ship but not Aliens style. And it has something to say about the USA.
I'm not planning to watch it again, but it was pretty interesting the once.