The Lost Boys
Jul. 21st, 2005 01:38 amAwaiting inspiration on the writing
am watching 'The Lost Boys'
it has a lot of the same quirks that annoyed me in Flatliners and the Batman films - primary colors lighting, unsubtle backgrounds - but in this film they work. They work with the story, painting it larger than life. Like with Batman, I didn't object to comic book colors on comic book villains. But unlike Batman there is actual contrast, regular bad guys, ordinary world. Daylight scenes contrast with the fairground night time. And that suits the story.
The best thing about Lost Boys is that they don't sell vampirism - they don't try and get him to join them for the murder or even the immortality - that he finds out about later, when he's in too deep already. The attraction is belonging. Love. Not just on the vampire side either, the family has the same stuff going on (and I could get a few pages out of analysing this film in terms of the breakdown of the nuclear family and what it says from a feminist perspective. But then I would have to be annoyed at it.)
And while it might be supposed to be a love story between Michael and Star, all she ever does is exist. She looks pretty. He looks at her. End of story. But between David and Michael it is a seduction. Guy dominance hierarchy stuff, daring, pushing each other. A very bloke kind of seduction. Plus the serious eye contact kind. Star is easy to ignore. This film is all about falling for the wrong guy.
Also noticed this time through that the vampires being fearless can't just be a pose - they race their bikes towards a cliff, which is only dangerous for humans. But they also race through forest, and a wrong move there will kill a vamp just as dead.
( Read more... )
am watching 'The Lost Boys'
it has a lot of the same quirks that annoyed me in Flatliners and the Batman films - primary colors lighting, unsubtle backgrounds - but in this film they work. They work with the story, painting it larger than life. Like with Batman, I didn't object to comic book colors on comic book villains. But unlike Batman there is actual contrast, regular bad guys, ordinary world. Daylight scenes contrast with the fairground night time. And that suits the story.
The best thing about Lost Boys is that they don't sell vampirism - they don't try and get him to join them for the murder or even the immortality - that he finds out about later, when he's in too deep already. The attraction is belonging. Love. Not just on the vampire side either, the family has the same stuff going on (and I could get a few pages out of analysing this film in terms of the breakdown of the nuclear family and what it says from a feminist perspective. But then I would have to be annoyed at it.)
And while it might be supposed to be a love story between Michael and Star, all she ever does is exist. She looks pretty. He looks at her. End of story. But between David and Michael it is a seduction. Guy dominance hierarchy stuff, daring, pushing each other. A very bloke kind of seduction. Plus the serious eye contact kind. Star is easy to ignore. This film is all about falling for the wrong guy.
Also noticed this time through that the vampires being fearless can't just be a pose - they race their bikes towards a cliff, which is only dangerous for humans. But they also race through forest, and a wrong move there will kill a vamp just as dead.
( Read more... )