Aug. 1st, 2009

beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
I have been reading, very slowly, a book called 'From Faust to Strangelove - Representations of the Scientist in Western Literature' by Roslynn Haynes.
As I read something becomes obvious which I should have noticed long ago: A lot of people write Science Fiction because they really really don't like Science.

There are strands of Science-yaay. But there are a lot of strands where science is the problem. Not just technology, or specific inventions, but science, maths, efficiency, practicality, even rationality. Those things are held up as in opposition to Being Human, to emotion and empathy and lives worth living. The book said at one point that stories are a confused cost-benefit analysis on their central concern, on science. A lot of them think it's all cost and no benefit.

So look at SF TV. Look at what the Bad Things are. There's cybermen as a very clear example. Swapping out humanity for steel. Is the solution new science?

Looking at recent stories I had a problem with: The writer has said they stripped all the gadgets away to get at who the team are as people. They got rid of the technology. But did they get rid of the science? The maths, efficiency, practicality, was it all lined up as aspects of the Bad Things? And what does that leave the good guys with? Improvisation? And speaking. And feeling really bad about stuff.

Invention is part of being human. The ability to plan ahead. The kind of mind that can think around corners and have a contingency for zombie apocalypse or teleporting invaders. Science is central to being human, the ability to test a theory and see how it works out and modify your behaviour because of it. Failure of science leads to trying the same thing again harder in the expectation it'll turn out different this time. One definition of madness right there. Rationality and empathy aren't in opposition, they're different threads of a necessary balance. To say that you have to remove all that someone has built in order to find out who they are as a person is like saying you have to strip them down to a skeleton to really see them. Interesting, but not complete.

I want stories where people invent their way out of corners. Because that's the only difference between the lives we live now and the life I probably wouldn't have survived a couple centuries ago - cumulative invention. And that's the answer too to any charge that we ignore the bad things in life and just accept - we do not, because we set out to change them, and we use science to do that.

There's both dystopias and heroic adventures based on the idea of putting scientists in charge of the world.

If we look at the world we live in right now, the world that increasingly strikes me, at a fairly young age, as humans finally living in the future... did we ever put scientists in charge? Or science? And where on the dystopia to heroics scale are we? And how much of our lives are better?

That's what Science Fiction is about. Not just ripping it all down and bewailing our heartless fate. Seeing the possibilities it opens up for us, as well as the dangers.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
My story is unstuck!
Yaay!
I now once again care if they all die horrible decompression deaths.
... apparently, the secret to making a story work is to throw a rock at it...
also I have that lovely feeling when you've set up the geography, history, and at least most of the people present, and now the situation is *rolling* and one thing leads to another without you making it up from scratch.
I have no idea if the story is any good but at this point it doesn't matter. It exists! Yaay!
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
5763 words :-)

The way it's formatted right now there's 24 pages, but there should be a lot more if I make it look like a proper script. So I better be quite a long way through the plot. And I think I am, except for it changed so many times I'm not quite sure which one I'm writing.

I know it's currently a bit rubbish.
Once it is finished once I can figure out which bits are a bit rubbish.
Probably the entire scene I just wrote for a start, but that's not the point

... I know, these posts, so interesting...

... I should do another transcript or something. But new story is far more interesting.


ETA: I reformatted and I have 30 pages in script format. I threw a rock at them on page 23. That's half way through the plan. My sense of script shape is apparently winning.
So now I have 15 pages left to finish? Ah. Okay... What have I got left to do... unlock two doors and get everyone out of there? And have a big argument about politics. Huh. That sounds like it could fit.

I think I'm finding myself disatisfied with how much I can't set up in a single episode. I know tons about all these people but the viewer will not.

I also will have to go back and work on that 'make people want them to survive' bit. At the moment I would still airlock the lot of them. Bit of a problem.

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beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
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