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Exploring the extent of gender difference

Abstract

This dissertation explores the depiction of gender in Doctor Who, a long running text, 1963-present, with multiple authors. Across half a century of popular television the representation of men and women changes, influenced by changes in social and cultural context that reshaped discourses of gender. I focus on Chapman’s account of the creation of classic Doctor Who in 1963, the story The Aztecs [1964], and seasons 5-7 of the new series, 2009-2012. Originally character design focused on creating audience identification figures to induce loyalty, providing both men and women with characters they would both understand and want to be. That has always been in tension with the demand of the plot that characters make mistakes and be endangered. The Doctor is always the expert hero, travelling with a female companion; many critics see the divide along gender lines, a powerful man protecting weak women. The Aztecs can be read that way: women, expert in humanities, argue about morality and kindness, and fail; men, expert in science and violence, successfully protect them. The division of power and spheres of influence set structures that influenced later seasons, producing tensions that were resolved differently in different decades. By 2009 The Doctor and Rory demonstrate different models of masculinity, differences in class, and tensions between expectations that males use power violently and approaches that emphasise communication and caring. Amy and River show different femininities, including stereotypes such as motherhood or dangerous manipulative sexual attractiveness, but fight against them, refusing to be boxed in and used by others for such roles. Success for both genders requires flexible approaches drawing on skills previously associated with the opposite sex. Previously gendered divisions became conflicts within each individual, highlighting and questioning the limits of both genders’ stereotypes. This reflects the increased importance of the feminine in society, culture, and science fiction.

13,196 words.

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This dissertation was for my English with Cultural Studies BA (Hons) and it got 65%
My best mark for an essay was 80%, so it's really not my best work.
But it was the best I could do after having been ill so much this year, to a deadline, in word count.

Word Count also explains why there's so many Appendices - quotes count towards the word limit, appendices don't. For the other 10 years I've been at college indented quotes over 40 words don't count towards the word limit, which was much less clunky and irritating.

Dissertations take a long time, and my initial plan didn't end up looking much like the finished thing, especially as regards how many episodes I was looking at. There were only supposed to be two, The Aztecs and A Good Man Goes to War, but I barely looked at the one and couldn't for the life of me focus on only the other. By the end of it I'm not sure I even agree with me, but there you go, it's done now.

I said if I got over 60% I'd show people. So.


Dissertation
Appendices and References

Date: 2013-07-04 08:08 pm (UTC)
indraja: (sidabrinis klevas)
From: [personal profile] indraja
Thank you for sharing your work! I am enjoying reading it.

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beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
beccaelizabeth

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